“Skaters have a completely different culture from the norms of the world’s society. We dress differently, we have our own language, use our own slang, and live by our own rules. People feel threatened by foreign attitudes. Everyone has his own views on different types of society and their own stereotypes…Please stop viewing us as a totally negative race of people.”

The importance of these videos as propagation of an authentic music subculture and indeed a way of life, are still just as popular and relevant in conveying meaning on an international scale in the present age. They are a visual representation of a time and a place, but include an attitude that still prevails to this day...[this band] as a representation of skate punk subculture, sustains its ideologies, whilst also challenging mainstream and conservative political and societ

The subculture of skate punk as discussed in this thesis will be analysed within the theoretical understandings and frameworks of Gelder and Hebidge and the focus of essential musicologists, such as Frith and Grossberg to ascertain how the band Suicidal Tendencies promulgated the skate punk subculture. This occurred through the maintenance of authenticity, which continued throughout the creation of their music and their sustained representation of their beliefs and ideologies

This thesis aims to portray to the reader the complexities of authenticity within a music subculture and they way in which subculture is signified and represented to create meaning. The use of the music video as a form of mediation to society offers great insight into the understanding and comprehension of the subculture of skate punk, its ability to inform further ideological discourses within society, and it’s impact on sociological and cultural understanding.